XL250 — Live-Performance Analogue. 48 Mics. 16 Configurable Groups.

The XL250 is a 23-bus large-format analogue live console from the XL touring family — 48 microphone channels, 16 stereo/mono configurable groups, and the input/output count expected of a flagship live mixer. Built for the engineers who put the XL name on the rider.

Forty-Eight Mic Inputs. Seventy-Three XLR Inputs Total.

Forty-eight channel mic inputs, 20 group direct inputs, 3 solo bus inject inputs, talk mic and talk bus inputs — 73 XLR inputs total. Fifty-eight XLR outputs include 32 channel direct outputs, 16 configurable group outputs, stereo masters, solo and local outputs.

Twenty-Three Buses. Eight Automutes.

Two mono auxes, 16 stereo/mono configurable groups, 1 stereo master, 1 stereo AFL and 1 mono PFL. Eight automute masters assignable to any input or group, acting pre- and post-fader. Sixty-two peak program meters: 20-segment on outputs, 11-segment on inputs.

Specification Highlights

• Large-format analogue live console, XL Series
• 48 mic input channels
• 23 buses total: 2 mono aux, 16 configurable stereo/mono groups, stereo master, stereo AFL, mono PFL
• 73 XLR inputs, 58 XLR outputs
• 8 automute masters
• 62 peak program meters
• Dimensions: 1736 x 1020 x 260 mm
• Designed and engineered in the U.K.

Who It's For

This product is obsolete. Original XL250 units remain in touring inventories and major rental fleets — still in service with engineers who built the modern live-sound canon on them. Reference current Midas digital flagships for the modern successor lineage.