XL200 — Live-Performance Analogue with Direct Outputs on Every Channel.

The XL200 brought the XL touring sensibility to a 24-channel large-format analogue console. State-of-the-art Analog Devices mic-amplifier topology for low distortion, high stability and broadcast-grade RF rejection — direct outputs as standard on every input module for multitrack recording without re-patching.

Twenty-Four Inputs. Four-Band Parametric. Eight Stereo Auxes.

Twenty-four input channels each with a direct output and a 4-band parametric EQ. Eight stereo aux sends, six mono groups, two stereo groups, and a 13 x 8 matrix with eight aux masters. Twenty-nine output meters for complete visibility of the bus structure.

Analog Devices Mic Amplifier — Low Distortion, RF-Quiet.

The XL200 mic amp was specified for low distortion, excellent amplifier stability, RF rejection and broadcast-grade noise performance. The direct-output standard fitment meant every channel could feed a multitrack without insert-cable workarounds.

Specification Highlights

• Large-format analogue live console, XL Series
• 24 input channels with direct outputs (standard)
• 4-band parametric EQ per channel
• 8 stereo aux sends, 8 aux masters
• 6 mono groups, 2 stereo groups
• 13 x 8 matrix
• 29 output meters
• Analog Devices mic-amplifier topology
• Designed and engineered in the U.K.

Who It's For

This product is obsolete. Original XL200 units remain in service in broadcast facilities, theatres and touring inventories. Reference current Midas digital consoles for active equivalents.