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Midas XL8

XL8 Input Module:

The input module consists of an 8-channel “fast zone”, where an operator will find the “must have now” controls, a detailed channel strip which is the interface with all of the selected channel’s control parameters and a display screen. A standard 5-bay frame has three input modules, which allow easy access for multiple operators.

Configuration Data
  • Three discrete Midas mic pre amps per mic input (e.g. FOH, Monitor, Broadcast) - no gain sharing
  • Midas EQ sound quality and "control feel"
  • Analogue and digital gain controls for optimisation of preamp performance and channel gain structure
  • Midas dynamics with choice of four styles (including Vintage)
  • Midas quality input and output CMRR and drive capability
  • Unique Muscle Memory friendly E-Zone layout for EQ
  • Unique Muscle Memory friendly D-Zone layout for dynamics
  • Fast Zone for instant access to key channel parameters
  • Eight channels of key data and single channel full detail on each input screen
  • Area A and area B free assignment
  • External video in and out - enables an operator to view external computers / video on each input screen

    Each of the 96 full-function input channels has:
  • Analogue and digital gain
  • Phase reverse switch
  • Phantom power
  • Input delay
  • Swept high pass filter with choice of two filter slopes
  • Swept low pass filter with choice of two filter slopes
  • Frequency-conscious compressor with choice of 4 compression styles
  • Frequency-conscious noise gate with external sidechain
  • Insert point
  • Treble EQ filter with choice of four filter types
  • Parametric hi-mid EQ filter
  • Parametric lo-mid EQ filter
  • Bass EQ filter with choice of four filter types
  • Routing via level controls to 32 AUX mix busses and 16 Matrix busses (FOH mode) or 48 foldback mixes (Stage Monitor mode)
  • Routing via pan control to left and right master busses
  • Routing to mono master buss
  • Pan pot (SIS™)
  • Direct output

    Each of the 16 auxiliary inputs has:
  • Input gain
  • Source from internal FX or external pool input
  • Fader
  • Pan pot (SIS™)
  • Routing via level controls to the 16 matrix busses
  • Routing via pan control to the Left, Right and Mono master busses