Midas Press Release
Date: July 2011

MIDAS XL8 brings opera to Mount Masada

Britannia Row Productions has provided a MIDAS XL8 live performance system for an open air production of Aida, part of the Masada, Dead Sea and Jerusalem Opera Festival in June.

Verdi's opera was performed against the stunning backdrop of Mount Masada, Israel, by the Israel Symphony Orchestra conducted by Daniel Oren, with the Tel Aviv Philharmonic Choir. At front of house was engineer Richard Sharratt, veteran of many classical and operatic concerts, and a fan of the XL8 for his productions. "I always enjoy using the XL8 as the sound quality next to none, the EQ and dynamics are powerful and natural, and there is great versatility of control by using POP(ulation) groups," he says.

BRP's system tech Josh Lloyd has also worked with the XL8 on many gigs and festivals, and found the system's flexibility came into its own for the five Masada performances, which required a different way of working. "The automation is fantastic on the XL8, and we were using it to far more of its potential than in the past," he says. "We were reassigning VCA groups from scene to scene, always keeping the appropriate principles from a section of the opera in front of us on the surface, as well as using the automation to update audio parameters between scenes. We also used the midi in scenes to fire outboard and a sidecar console we were using due to the very high channel count of144 channels. Using all these elements of the automation meant that once the show was up and running we could concentrate on mixing the audio.

"We also benefited from using the XL8's integral AES50 network to route audio from point to point between the DL451 I/O units, so we could use it as a backup to the main returns and comms systems which was very in a very hostile environment.

"The XL8 was a great choice for this gig due primarily its superior audio quality," concludes Lloyd. "Opera goers are very particular about audio quality and are traditionally used to hearing it unamplified, so it needed to sound as natural as possible. The XL8 was also a good choice for the harsh environment of the desert, being extremely reliable and able to survive with the heat and dust. A good decision all round."

image

Photo: BRP system tech Josh Lloyd with the MIDAS XL8 at Aida, Masada

image

Photo: FOH engineer Richard Sharratt with the MIDAS XL8 at Aida, Masada

Photo credit: Louise Stickland

Further details:
James Godbehear
MIDAS
T:+44 (0)1562 741515
Email: MARKCommMediUK@music-group.com

Press contact:
Caroline Moss
Caroline Moss PR Ltd
T: +44 20 8968 5597
Email: pr@carolinemoss.co.uk

ENDS

All brands and trademarks are recognised.

Editors' information:

MIDAS live performance mixing consoles have been used by the world's most demanding sound engineers, performers and rental companies for four decades. The company strives to raise the standards of sonic quality through its programme of continual research and development, implementing new control functionality and user-friendly desk operation to anticipate and accommodate the ever-evolving needs of audio professionals who specify MIDAS consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.